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Ashdod Port Visitor Center got a Silver Plaque at INTERCOM 2012
I’m very proud to announce that the Ashdod Port Visitor Center got a Silver Plaque in the category “Visitor Center” at INTERCOM 2012, part of the Chicago International Film Festival.
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Motorola LTE Network – A new tactical vision
Imagine that Azrieli Center, an iconic commercial building in the center of Tel-Aviv, is hit by a missile. Imagine the destruction, the panic, the confusing and the distress around the destructed site. Now remember 9/11 and how each rescue team didn’t succeed to team all together and led to more victims. What is the best way to avoid the same chaos and confusion?
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KKL-JNF – 110 years of green action
The KKL-JNF is well known for the development of the land of Israel since its establishment in 1901. In 2011, they celebrated their 110 years of Green Action and asked us to create a movie to present theirs goals and actions in different fields: preservation, forestry with research, water cycling with tourism and more…
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Roche RoACTEMRA – Rome
Another project for the pharmaceutic giant Roche and its medicine RoACTEMRA and this time we move to Rome for a pharmaceutic trade show.
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The Shalva Organisation
A very complex editing project that I did with director Oded Avraham.
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Aeronautics – The return of the comeback of Transformers
When you are dealing with an extraordinary company, you need to create an extraordinary selling movie for trading shows.
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Roche RoACTEMRA – Prague
This project is kind of unique.
It was realized for a doctors congress in Prague to promote Roche’s RoACTEMRA medicine.
We mixed live theatrical performance with green-screened, pre-recorded of the really same performance.
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All-Most by Audele Lishner
All-Most is a video installation by the artist Audele Lishner composed of four darkened rooms in which the viewer is invited to walk according to a single path. This beautiful video installation was showing for 3 weeks in the summer of 2009 at “The Artist House” in Tel-Aviv.
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The Massuah Museum Project
This project was wild!
When I was first approached by director Yali Bergman for the new exhibition for the Massuah Museum, we talked about a conventional and classic 3 screens movie.
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